Infinite ~ WindPoem V now available!

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Infinite ~ WindPoem V ~ Native American Flute Meditations, the latest album from C.S. Fuqua in his  WindPoem Native American Flute Meditations series, features 68 minutes of meditative and relaxing music, celebrating the Native American flute as a solo and World Fusion music instrument. Nine Native American flute instrumentals and four multi-instrument cuts highlight the versatility of the Native American flute. Please visit https://youtu.be/o7fpRIRIKkg for a five-minute preview of the album.

In keeping with tradition, Infinite‘s instrumentals incorporate nature and other ambient background sounds to complement the Native American flute. In addition, Infinite represents an expansion of WindPoem sound with the addition of multiple instruments, including guitar, koto, bass, and more on four of the instrumentals. The remaining nine cuts feature solo and multiple native flutes. A haunting instrumental arrangement of the traditional song “Amazing Grace” closes the album. Infinite features wooden and bamboo Native American flutes custom-crafted by Fuqua.

Fuqua has researched and published extensively on the history, mythology, and crafting of the Native American flute, and has authored The Native American Flute: Myth, History, Craft and the illustrated manual Native American Flute Craft. With a background as newspaper reporter, magazine editor, and author, Fuqua has published widely in nonfiction, fiction, and poetry, with fourteen books currently in print. The first WindPoem album was released in 2014. For more information, please visit http://csfuqua.com.

Fuqua is available for presentations the history, mythology, and music of the Native American flute. Presentations are offered free to Las Cruces area public schools and youth organizations. For more more information, please contact him at fuqua.cs@gmail.com.

Digital and CD sales:
Kunaki:
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iTunes:
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Streaming:
Licensing:

The iTunes WindPoem storehttps://itunes.apple.com/us/author/c-s-fuqua/id507470171?mt=11

Ancestors ~ WindPoem IV ~ Native American Flute Meditations

Ancestors ~ WindPoem IV ~ Native American Flute Meditations is now available through Bandcamp and coming to other CD and digital music stores, including Amazon, iTunes, Google Play, and others. It will soon be streamable through internet music services, including Pandora, Deezer, and more. The album features nine Native American flute instrumentals—53 minutes of music—perfect for meditation and relaxation. View the trailer below. Preview the entire album at Bandcamp.

Ancestors instrumentals feature Tegan Fuqua on percussion and C.S. Fuqua on wooden and bamboo Native American flutes, both single-barrel and double-barrel (drone) flutes custom-crafted by C.S. Fuqua. In keeping with tradition, some tunes incorporate nature and other ambient background sounds. “Grandfather” also features a Hang tank drum. Several cuts include contrabass flute that may not be rendered adequately through laptop speakers and some earbuds due to speaker low frequency limitations.

Ancestors is available today from Createspace  in CD format for $10.95 plus shipping and Kunaki for $5 plus shipping. Available soon at Amazon. If you want the best CD price, Kunaki is the place to go—the total less than the Amazon and Createspace base price before shipping! 

The digital album is available for immediate download from Bandcamp and Kunaki for $8 and will soon be available from iTunes, Amazon, Soundcloud, and many others. 

Ancestors will soon be streamable at Pandora, Deezer, Spotify, and a host of other streaming services.

Please spread the word!

Popular mythology portrays the primary historical use of the Native American flute as a courting instrument used by men, but the courting aspect was only one of the flute’s functions, much like a guitar or any other instrument, and it certainly was not an instrument limited to use strictly by men. Men and women played the native flute for entertainment, in fertility rites, during celebrations and mourning rituals, and simply as a distraction. WindPoem albums celebrate the flute’s rich and inclusive heritage. 

For more information on the history, mythology, and crafting of the instrument, check out Chris’s books, The Native American Flute: Myth, History, Craft and Native American Flute Craft, available through most local and online bookstores.

WindPoem III was slated to be final album in the WindPoem series to feature strictly native flute meditations. Plans obviously changed. I hope you enjoy the results.

Chris is available for musical and historical presentations regarding the Native American flute. For more more information, please contact him by clicking the email icon.

Michael G. Allen of Coyote Oldman

In the mid-1980s, I became acquainted with Native American flute music through the instrumental musings of Coyote Oldman, purportedly an Oklahoma-based duo specializing in “new age” music that utilized native flutes backed by electronic soundscapes. A few years later, I played a cedar flute crafted by Michael Graham Allen, Coyote Oldman’s flautist, and I was hooked. The sound that came from that flute was indescribable, a sound that touched something deep in my psyche. On a tight budget then as I am now (some things never change, especially for writers), I couldn’t afford the retailer’s price, but neither could I simply walk away from such beauty of sound. So I began researching Native American flute craft, but little instructive material existed at the time. Through trial and error and by studying various flutes I chanced across, I finally discovered a method for crafting a decent sounding flute—all thanks to the inspiration of Michael’s music and artistry.

Jump ahead nearly twenty years. I’ve spent the last year researching and writing a new book for The History Press, entitled Alabama Musicians: Musical Heritage from the Heart of Dixie, which details the vast influence of Alabama artists on music past and present. In August, I submitted the book’s final draft, which (acceptably) exceeded the specified length by a thousand words. Around the same time, I learned that Michael G. Allen had teamed with David Lanz and Gary Stroutsos to soon release a new Coyote Oldman CD, entitled Time Travelers. Searching the internet for more information, I discovered that Michael G. Allen is not Oklahoma-based as I’d read many years ago, but a resident and native of Alabama—which meant that a book designed to spotlight Alabama’s musical innovators did not mention a word about one of the most influential pioneers of our time, an artist arguably most responsible for popularizing the native flute worldwide. After a few e-mail exchanges, the editor  allowed me to slip in an entry on Michael.

Michael began Coyote Oldman collaborations in 1985 with Barry Stramp, who provided electronic soundscapes for Michael’s flutes. Each album since 1986’s groundbreaking Tear of the Moon has further explored and developed the range of native flutes, each flute used in the recordings impeccably crafted by Michael. Time Travelers, released in October 2011, utilizes Michael’s handmade replicas of ancient desert and Anasazi flutes in extended studio improvisations with David Lanz on keyboards and Gary Stroutsos on Chinese xiao and dizi flutes to create an album that’s deeply contemplative and moving.

Michael’s interest in, research of, and devotion to ancient North American flutes began in the 1970s as he traveled throughout the U.S. to become a primary force in their reintroduction, refinement, and popularization. With few traditional musicians or craftsmen at the time, Michael learned to craft and play native flutes by studying and copying artifacts housed in museums and collections around the country. In 1981, he met and developed a deep friendship with Dr. Richard Payne, another researcher instrumental in popularizing the native flute. Payne had developed much of his ability in the 1930s, learning from Kiowa elder, Belo Cozad, who had been taught by Oldman Turkey in the late 1800s. Collaborating with Payne until Payne’s death in 2004, Michael became and remains one of the world’s foremost authorities on native flute history, craft, and music.

Michael’s handcrafted flutes have introduced a number of musical innovations, from tuned pentatonic, multi-keyed and bass Plains style flutes to double flutes and experimental flutes. His current efforts include the reintroduction of ancient rim-blown flutes to wider audiences both through his music and custom-crafted instruments. He’s available to lecture on the history of North American flutes at colleges and music events around the country. For more information about Coyote Oldman flutes and music, please visit the Coyote Oldman website.

Michael is one of the many Alabama musical innovators featured in more detail in Alabama Musicians: Musical Heritage from the Heart of Dixie. In the coming months, others will be featured here, including Spooner Oldham and Belgian artist JD Fox who will soon release a tribute album featuring Oldham’s music. To purchase Alabama Musicians, please visit Amazon.com, Barnes and Noble, or any online or brick-and-mortar bookstore.